there is no doubt that the native detroiter jeff mills, as >the wizard<, put his own mark on the cologne psycho thrill club-nights and thus the entire west german rhine area in terms of techno in the years 1991-2007 through his innumerable appearances in the cologne clubevent institution. mills track >mosainga<, which was given to claus bachor in 1996 for publication on his own label, also played a significant part in this well beyond the 2000s. in 1997 for the first time (unofficially) released in advance via roland caspers essence label on a >psycho thrill ep< white-label limited to 500 copies, mosainga finally appeared remastered in 2004 on psycho thrills own >motor city dayz vol.1< (ptne 2111) compilation including a dj-friendly bonus loop and then finally made its way straight into the clubs of the world. the track then received renewed attention beyond its natural decay value in the cologne bnkr years (2011-2016), which were deeply shaped by psycho thrill itself for colognes nitelife, in which the cologne label completely redefined the entire techno culture of the dome metropolis in its own way 2 be propelled forward once again.

a collection of 28 disco classics on double vinyl.

bristol native daffy returns to shall not fade with his second solo ep, focusing on the darker aspects of 4x4 garage.

melbourne native jordan brando makes his return to the snf catalogue, proving once again his musical ambidexterity and far-spanning range of talent.

a collection of west african burger highlife songs on double vinyl, housed in a gatefold sleeve with 16-page booklet included.

analog machinery electro

limited reissue on clear 10 inch vinyl.

classic black vinyl edition.

kerrie debuts on blueprint

the 3rd installment from native mexican producer leo leals melodies from the sky ep on binh’s imprint time passages!

ltd repress - the late, great j dilla is widely regarded as one of the greatest hiphop producers of all time. an innovator who pushed the genre in new sonic directions, the detroit native born james yancey crafted timeless soundscapes for the likes of slum village, busta rhymes, common, erykah badu, a tribe called quest, the roots, and many more. since his death in 2006, dilla’s mother maureen “ma dukes” yancey has worked tirelessly to further her son’s legacy, and her latest effort is the new posthumous album motor city. inspired by dilla’s beloved hometown, motor city is a collection of rare and unreleased jay dee instrumentals, hand-selected and sequenced by ma dukes. conceived as a “letter” to her son, motor city is packaged in a limited-edition mailing envelope, complete with a handwritten message from ma dukes to j dilla inside. include access to an exclusive mix of the album by dilla’s close friend j rocc, a world-renown dj and founder of the beat junkies.

massive remixe package for the london elektricity album “building better worlds”. comes on triple vinyl, housed in a gatefold sleeve.

hip hop, for fans of: mf doom, madlib, mndsgn, knxwledge

coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

limited white vinyl repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

ltd 5 lp + jute bag

afro house smasher

third classic cuts comes from stockholm native viggo dyst, remixed by baltra and 1800-girls.

jazz

new school kosmiche style guitar and synth studies by baltimore native and veteran underground music figure tarotplane (pj dorsey). across four cold, motorik movements dorsey builds upon previous outings for aguirre, lullabies for insomniacs.

comes with standard cover! ltd white edition! a diary of sonic cartography by long time friends, and neighbors k. soublis aka fluxion, and savvas ysatis.

a reggae anthology of 14 original songs from gregory isaacs, recorded between 1972 and 1990.

longplayer from reptant full of electro

repress !!konstellaatio is another mika vainio masterpiece as his original alias Ø on the native label sähkö recordings that mika co-founded in 1993.

cassette / tape + mp3 dowload code

a ticking-gear agama, not native to these parts...

repress - after the glorious release of his first studio album disconnect to connect in 2013, steven tang is back with another lovely package of hitec-soul. inspired by his new residency in berlin the chicago-native builds up three highly grooving sound seducers which will be part of his live set at panorama bar on may 31st . join steven tang at leaving the physical world!

blaq numbers welcomes explorer of the humankind back to the stable with his latest work, -where did y’all go?-. combining lots of handmade drums & machines with hazy synths, he explored a new set of influences while writing and recording from 2018-2019. the four original compositions now find themselves on a brand new 12” backed by remixes from detroit’s byron the aquarius and larry houl. -where did y’all go?- expands on eoth s previously established house sound and brings in elements of bedroom pop, with lyrical content exploring the modern conundrum of maintaining relationships in the age of social media. not much is known about the lyon native, but his music has built him a keen worldwide following since his debut productions surfaced in 2017.

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.

future jazz sound from zara mcfarlane.

debut full length lp from japan s favorite underground native son. a fixture in the japanese beat scene & known by those in-the-know for years now, pepin lands his spaceship in chicago courtesy of star creature for his debut, modern funk meets space boogie anchored by japanese king, sauce81. boogie disco

afro funk!

incl download code

rb super proudly presents: mim suleiman! the zanzibar born and sheffield based singer/songwriter/performer made quite a name for herself on the afro-beat stages of this world with her mixture of east african vocals and percussive traditions. mingi is the second single accompanying her mesmerizing album tungi, which has mim singing and writing in her native tongue swahili and is a mixture of all things ultramodern afro beat, rhythm trax and futuristic pop music. here we have a seductive 808-drum-groove, a high life like guitar and mims irresistible hook line. instrumental on the flip for extended mixing pleasure and double copy pressure. produced by maurice fulton. mim says blessup! big up!

versatile 6 track v/a compilation from the nsd crew.

limited repress! cafe d anvers records, the label created from the same minds behind the infamous belgian club cafe de anvers, are beyond proud to present their very first release, coming at you on vinyl! throughout the years, cafe d anvers club made it their mission to provide nothing but the finest quality house music in a unique setting, this decades old, brightly converted church was thé home base for partygoers of every background and flavor. it is with this mindset they proudly present their first release, brought to you by the belgian duo capoon. capoon is comprised out of techno and house producer & djs jackjazz and lemakuhlar, who have banded together to form this fresh duo. the album title track takes the lead out of the bunch, as the a1 >i got soul (original mix)< blasts off to treat its listeners to a veritable assault of drums, basslines, stabs, and a classic soulful (no pun intended) vocal cut that guides the breakdown to its relentless climax. the frankfurt based producer reboot gives us the honor of hearing his take on the b1 side with this >reboots million souls remix<. very reminiscent of the minimal glorydays, this exquisite union of minimalistic drums, bips, bleeps and faded stabs provides us with reboots unique take on the original. french native, matt sassari takes control of the b2 side with his remixed version, relying on the modern days techno sound, yet keeping it progressively darker in terms of structure and vibe to top off the colourful sound palette of the album. last but not least, and with the dj in mind, capoon dedicated the a2 side to an a2 acapella track, servicing those who want that little extra for their creative needs!

dj support: laurent garnier, jimpster

viper patrol takes us on a psychedelic trip.

remastered reissue of the 1973 album by drummer elvin jones. pressing on 180 gram vinyl.

after monoaware on sush031 comes here the long awaited new album from roger gerressen

ltd repress - 1- per - customer - the music institute 20th anniversary pt 3. so finally ndatl bring u the last installment of this legendary series! first up we have an unreleased version of alexander robotnicks >problemes d amour< retouched by detroit native kenny dixon jr. followed by an atkins diet of miller music and held up by a canadian abacus

doghouse records, a classic 90s house label that released some of derrick carter and jazz-n-groove s earliest tracks is back with this 4 track house ep from dallas native & dolfin records own ben hixon. deep underground house with a touch of detroit beatdown. no forced build-ups, just simple hypnotic grooves.

ltd white edition! a diary of sonic cartography by long time friends, and neighbors k. soublis aka fluxion, and savvas ysatis.

classics from the shogun audio catalogue on red coloured vinyl.

30 era defining tracks that ruled the dancefloor. limited double vinyl release with download code included.

repress - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

r&s records presents the debut longplayer from berlin based producer adam longman parker aka afriqua. pressing on pink(ish) double vinyl.

deep house groovers with an african touch from philou louzolo.